非虛構書寫 : 台灣美術未完成

或有人認為2018年以來[重建臺灣藝術史]是意識形態綁架的政策, 殊不知解嚴(1987)以前, 臺灣美術從未被列入任一學科研究。至今(不足40年), 臺灣美術研究仍然未完成。有待更多元的方法，更寬廣的視野，包容兼蓄。受惠於數位典藏，讓戰前舊報紙、舊期刊重見天日，彌補以往檔案缺失之憾。網路2.0世代的臺灣美術，透過新出土的原作、手稿，在訪查與田調更需面對藝術史等方法學的挑戰。

我們歡迎與臺灣美術相關的主題，從藝術史、視覺文化、性別研究、文化、社會學等跨領域、跨世代的學者、創作者投稿，持續此一未完成的非虛構書寫。

投稿格式、撰稿體例請參閱《南藝學報》(Artistica TNNUA) 徵稿網頁或洽主辦單位

截稿期限：2026年10月1日

預定出刊：2026年12月

Nonfiction Writing: Art in Taiwan Unfinished

 The plans to bring forth another “Taiwan Renaissance” since 2018 may be considered ideologically driven by whom. What is often overlooked, however, is that prior to the lifting of martial law in 1987, Art in Taiwan had never been recognized as a fully-fledged scientific subject. Even now, less than four decades later, research on Art in Taiwan remains unfinished. What is needed are more diverse methodologies, broader perspectives, and a more capacious and inclusive framework. The advent of digital archives has brought prewar newspapers and periodicals back into circulation, helping to redress longstanding gaps in the historical record. At the same time, in the Web 2.0 era, newly unearthed artworks and manuscripts, together with ongoing fieldwork and site-based investigation, call for a more sustained engagement with the methodological challenges and limitations of art history and related disciplines.

We invite submissions on Art in Taiwan from scholars and artists across disciplines and generations, with work engaging fields such as art history, visual culture, gender studies, cultural studies, and sociology. Through such contributions, we aim to advance this ongoing and unfinished project of nonfiction writing.

For submission guidelines and formatting requirements, please refer to the call for papers on the ARTISTICA TNNUA website or contact the publisher.

Submission deadline: October 1, 2026

Scheduled publication: December 2026