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專題稿件:
第二十期【藝術×科技×跨界】

什麼是「藝術」?什麼是「科技」?它的本質到底是什麼?要往哪裡去?隨著科技發展的日新月異,人們在感知上的需求卻永無止境。當科技作為一個媒介,無論是過去或當代的藝術,
無不希望透過跨域結合,提高其可見度、拓展社會大眾的接受度。

台灣科技藝術跨界的前衛展現,可追溯到2008年前後,而藝術本身就是一種技術;當「藝術」與「科技」相互融合,其背後的核心價值是對人文的追求與想像;在彼此創意的相互激盪之下,「跨界」開創更多的想像與可能性。

因此,本次專題徵求論文想進一步探索的是:藝術、科技與跨界之間,包含生物藝術、電子藝術、新媒體藝術、科技藝術、互動藝術等等,各種組合的關係及其可能想像的各種形式論文。

 
 截稿期限:2020年5月15日
 預定出刊:2020年6月
 
Issue No.20

Art x Technology x Crossover

What is art? What is technology? Exactly what is its essence? And where is it heading? With the rapid progress of technology, people's demand for sensory stimulation is expending endless.
When technology is used as a medium, there is hope for both historical and contemporary art to gain visibility and public acceptance through cross-domain integration.

Taiwan's pioneering display of the crossover between technology and art can be traced back to around 2008.Since art itself is technical, when art and technology merge,
the core value of such a merger is the pursuit and imagination of humanities. When these two domains are integrated, creativity, innovation and possibilities can be endless.

Therefore, this thematic topic calls for theses that further explore: the relationships within different combinations,
and various forms of possible ideas in art, technology and the crossover between them, which includes bio-art, electronic art, new media art, technological art, and interactive art.
 

The June issue deadline: 28th February, 2020.


專題稿件:

第二十一期【此疆彼界──東亞視覺文化裡的民俗再現】
 

人類面對現實世界的生存議題,除了正向迎擊與回應現有的資源競爭與分配,對於無法掌握與理解的事物,亦同時創造出另一種看似非理性然卻自成一套解釋邏輯的系統。藝術家自由地在各種異質範疇中尋找靈感,無論是宗教信仰、價值信念或意識形態,透過神話、傳說、風俗習慣和祭典禮儀等方式傳承迄今,而藝術家們創作主題中的自然與超自然現象,時而交錯、時而對抗,再現了這些反應人類喜怒哀樂的民俗文化。本期學報誠徵東亞領域內之視覺藝術創作者對另類世界想像的再現研究,創作媒材廣含繪畫、建築、書法、雕塑、工藝美術和電影等,歡迎來稿分享。

 
 截稿期限:2020年8月30日
 預定出刊:2020年12月
 
Issue No.21

【In through the out world: Representing Folklore in East-Asian Visual Cultures】

 In addition to facing challenges positively and staying afloat amid competition for limited resources, reality poses other survival issues to humanity. We must make up a logic that despite seemingly unreasonable, enables explanation of matters that escape our control and understanding. Artists freely navigate through all sorts of subject matters in their quest for inspiration. Mythologies, legends, customs, and rituals form an uninterrupted legacy of religious beliefs, personal values, and ideologies. The natural and supernatural phenomena created by artists based on certain theme hover between integration and conflict, but are ultimately a response to the range of human emotions expressed in folk culture. This issue of ARTISTICA TNNUA calls for studies on the representation of alternative worlds by visual artists in the East Asian domain. Art media range from painting, architecture, calligraphy, sculpture, and handicrafts to film and television. Welcome to submit your paper and share your ideas.

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The December issue deadline: 30th August, 2020.


專題稿件:
 
第二十二期【Everything will be alright…】
 
大疫來襲、極端氣候肆虐、階級不平等持久而僵固、全球右翼民粹主義洶湧不止,在這樣的時代下,我們以“Everything will be alright…”作為本期專題徵稿主題,誠摯地邀請國內、外研究者或創作者,以藝術研究為核心,從多元的角度,探索這句話在藝術領域中的想像與思考。
  這句話可以是一種對於惶惑心靈的安撫之聲,隱含著在恐懼中,仍保有積極作為的可能。但“Everything will be alright…”也可能充滿著懷疑主義的調性,連結著與恐慌有關的種種想像。同樣還是這句話,它也可能單純地從每一位受苦的人,如何在藝術的開創中,免於靈魂在火湖中沉淪,讓藝術創作成為某種悠揚的「牧聲」,進而療癒自我的角度觀之。
  以藝術研究為核心,“Everything will be alright…”相關議題建議如下(但不受限於下列主題):
 
1. 後生物政治(Post-biopolitics)
2. 物導向本體論(Object-Oreinted-Ontology)
3. 藝術創作與療癒(Artistic Creation and Healing)
4. 疫情與國界(Pandemic and Borders)
5. 疫情與藝術機制反思(Reflection on Pandemic and Art Institution)
6. 末世想像(Imagination and Apocalypse)
7. 風險社會(Risk Society. 從Ulrich Beck提出的意義來理解)
8. 右翼民粹主義(Right-wing Populism)
9. 階級、種族衝突(Class Conflict, Racial and Ethnic Conflict)
 
 截稿期限:2021年2月28日
 預定出刊:2021年6月
 
Issue No.22

Everything will be alright…

 

     In the midst of a ravaging pandemic, extreme weather disasters, and class inequality with no visible end, and an era that witnesses the steady rise of right-wing populism around the globe, our call for papers in this issue centers around “Everything will be alright...” Scholars or artists from home and abroad are sincerely invited to explore imagination and ideas that this phrase may prompt in the artistic field, from a perspective of diversity and with artistic research at its core.
  This phrase may serve as solace for a troubled soul, implying that there's still room for action amid such tribulation. However, “Everything will be alright...” may also have undertones of skepticism, bearing connection to all sorts of imagery related to angst. The same phrase may also be used simply to view how tormented individuals use artistic creation as a self-healing method - a resounding “Shepherd's Call” that keeps their soul from sinking into unquenchable fire.
  Themes suggested for exploring “Everything will be alright...” from an artistic research perspective are as follows (but are not limited to the following)
1. Post-biopolitics
2. Object-Oreinted-Ontology
3. Artistic Creation and Healing
4. Pandemic and Borders
5. Reflection on Pandemic and Art Institution
6. Imagination and Apocalypse
7. Risk Society. Based on the definition proposed by Ulrich Beck
8. Right-wing Populism
9. Class Conflict, Racial and Ethnic Conflict
 

The June issue deadline: 28th February, 2021.