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專題稿件:

第二十五期【文化民主的博物館】
 
       當代的博物館提倡並實踐文化民主( cultural democracy),相關的作為包括鼓勵社區與大眾的博物館參與(participation/engagement/involvement)與協作及合作(partnership and cooperation),
將博物館實體與數位藏品與資源做最大程度的、無障礙、無限制的友善開放近用(open access),強調博物館應呈現多元性 pluralism)與去殖民化 decolonizing),在博物館內呈現大眾的多方觀點,
實現公民賦權(empowerment),以及排除邊緣與弱勢群體利用博物館資源的障礙,進而促進社會平權或共融( social inclusion),並達到社會正義(social justice)等。本期學報誠徵有關博物館文化民主領域相關議題的研究,涵蓋有關議題的倡議、討論、反思、實踐等,歡迎來稿分享。
 
 截稿期限:2022年8月30日
 預定出刊:2022年12月
 
Issue No.25

【Museums for Cultural Democracy】

      Contemporary museums advocate and fulfill cultural democracy through various actions. For instance, communities and the general public are encouraged to become involved and engage in partnerships and cooperation with museums, and museums strive to provide the largest degree of open access, unlimited and barrier-free, to their physical and digital collections and resources. Pluralism and decolonizing are some of the most crucial considerations as museums seek to present multiple perspectives of the wider public to empower the people. Another goal is to do away with hindrances to use of museum resources by marginalized and vulnerable populations as a way of promoting equality and social inclusion, as to realize social justice. This issue of ARTISTICA TNNUA calls for research on matters related to cultural democracy in museums, including advocacy, discussion, consideration, and implementation thereof. Welcome to submit your paper and share your ideas.

     
The December issue deadline: 30th August, 2022.

專題稿件:

第二十六期【跨文化.跨物種.大地藝術】
       從特定場域藝術到生態藝術,從生態藝術到大地藝術,近年來當代藝術對於大地藝術的實踐與研究,已經從1995年的「淡水河上的風起雲湧」、2005-2008年的「北迴歸線環境藝術行動」、2011年的「樹梅坑溪環境藝術行動」,進展到了許許多多以觀光和地方創生為訴求的環境地景與大地藝術節。在這二十多年的發展過程中,透過極端型氣候的反思與人類世的批判,我們看到了跨文化、跨物種議題在種種大地藝術中漸漸成形,也看到了不少隱藏在實踐場域中的問題。這個專題希望透過國際與國內案例的實踐研究,重新反思當代藝術實踐場域的擴張及其問題,並歡迎論者對於大地藝術的歷史脈絡與相關評論,提出脈絡梳理的論述。
 
 截稿期限:2023年2月28日
 預定出刊:2023年6月
 
Issue No.26

【Cross-Culture, Cross-Species and Earth Art】
     

        From Site Specific to Eco-art, from Eco-art to Earth-art, this topic focus on the new trends of earth-art in contemporaryart scene. In Taiwan, the historical context which began from 'Tamsui River's Turbulence'(1995), 'Environmental Art Action in Tropicof Cancer'(2005-2008) to 'Environmental Art Action in Shumeikeng River'(2011) developed recently into many Land-art and Earth-artfestivals in the name of local tourism and Regional Revitalization.
During two decades, in the challenges of extreme climate and thecritique of Anthropocene, we could see the new problematic of cross-culture and cross-species emerging in the practices and researchesin earth-art. This topic would welcome all kinds of reflection on such a new art tend in practical fields and theoretical concerns.
     

The June issue deadline: 28th February, 2023.